This is a post about the second image from my series Waiting For Things In A Time When You Rarely Wait For Things, where I documented my pregnancy from October 2019 to June 2020.
A few outtakes
With shoots I end up taking a lot of images and with most of them it’s difficult to edit them down as the differences are so subtle. In the beginning I take a lot of pictures to make sure that I am in the right position – as central as possible as I am usually central-ish in my images. Then once I find something I do a lot of little variations and take enough to make sure that I ‘have the shot’. Now I’m debating if this is better than the one I chose but I think looking off makes me look a bit more thoughtful whereas this seems more confrontational? Maybe I’m talking rubbish. I can’t believe my hair used to be this long…
The whole project is full of belly shots and I think I realised how ridiculous a shot like this would be in the beginning, though does it really matter? No. Even though I have done nude projects I do feel awkward about sitting around in my pants for shoots, though less so after having 6 people at the birth of my child, and having my boobs prodded and poked by lots of women whilst trying to breastfeed in hospital.
This seems a bit too adventurous and belly squashing for a pregnancy picture. Even though it took about 9 months for me to get pregnant I then was doing lots of stupid things like falling over for a video repeatedly as I think I could not believe I was pregnant. Perhaps I knew I would not be able to do these more flexible poses for much longer which is why I milked it as much as possible with this shoot.
A big secret (that isn’t so secret and especially not now) about how I shoot for my self-portrait projects – generally I have no idea what I am going to do for a shoot.
My first few self-portraiture projects (Reality of Youth Going Backwards In Vain, One Is Not Like The Other, The Many Faces of JFA) were very controlled; I knew exactly what shot I needed. Well to a degree I guess as there were test shots and location changes for Reality of Youth and One Is Not, but I had more of a clue than I did for a lot of projects afterwards.
With this shoot I had no clue and looking back for outtakes I can see that, though the theme seemed to be that pink top that my younger sister gave me and being sat on the floor.
I play around and then when I find something that I like I ‘riff on it’ – yeah like a musician or something.
In 2010 after my BA I was shortlisted to take a portrait for the National Museum Wales and National Portrait Gallery. I travelled from Birmingham to Cardiff for the interview and proudly talked about how I don’t plan shoots and you could just see in their faces how disapproving they were, yet I kept going on. The thing is at university me and my friend Sarah (who started and runs We Are Hairy People) did fashion shoots all the time when we were in the mood and we generally had no plan; we were always winging it. I’d photograph and she would model. We would just pull random clothes from our wardrobes and mess about with usually quite good results. I feel the need to pull a photo out, so let me have a look…
Here are a few pictures from 2010.
I feel like this post is going a long way away from where it was supposed to be. I’ve talked a lot about how random and made up my shoots are, but then again with my pregnancy project there have been shoots where I knew what I wanted to show.
Don’t be fooled (especially if you want to hire me and now are thinking I’m too risky – come back!) I guess I do plan things to an extent… now I think I am just saying this so you hire me.
No, what I mean to say is I have planned shoots more so with this project. For example: I had a blood test, I want to show that etc. I guess there was a reason why I did improv comedy in London, as much as sometimes I lack confidence I like just seeing what happens and what I come up with.
I did mention in my interview that when I do plan shoots I never like the images, but I guess they provide a starting point.
With shoots if you don’t try then you don’t get – if I don’t do a shoot then I have no pictures to possibly like or dislike. If I do then I might have a shot that I can use or at least have an idea for something to recreate. With this project I took poses/shots that I liked and recreated them later on, especially if one was good but I felt like another one was better. Though towards the end of the project I got more indecisive and often chose two images from shoots – perhaps because I was running out of time to photograph myself pregnant.
Anyways, some of the hashtags are kind of similar to the first image from the series. I had planned for this to be the first image, but I then remembered that I had done the previous shoot and wrote hashtags for it. It was hard knowing what to write for the first one as a lot of it had already been said here. There was a noticeable difference within myself though, especially with feelings of morning sickness beginning to start. I had forgotten that I got food aversions that early.
Everyone always asks about cravings, though I had never really heard about food aversions. I seemed to hate everything I had ever loved – I was really upset about not being able to eat my favourite lunch that I had been eating for YEARS. At one point I could only eat pasta and vegetables for dinner, as everything else made me feel sick. Luckily I could start to eat different things just as the Great Pasta Shortage of 2020 rolled in, otherwise that would have been a very grim time…
It was hard to imagine myself ever being pregnant, let alone imagining myself pregnant during a pandemic, but I guess that’s something I’ll talk about again and again during these posts…
Thanks for reading 🙂